Piracy as it affects "serious" songwriters and composers

Recently after reading the blog of my friend, John Mackey (one of the most talented young composers for band I have ever known) I learned of the plight that so many composers and songwriters go through facing internet piracy.  So often, because of the size and bulldog tactics of the R.I.A.A. we think of piracy only in terms of lost CD sales and missing download revenue.  There is an entirely different side of the coin.  The writers and composers of the music contained therein are also missing their monies derived from these sales... this is a quite unfortunate by-product of the loss of recorded music sales.  Even more disturbing though is the growth of sheet music "sharing" sites that facilitate the piracy of their actual written work.  Not being a composer or publisher myself, this is an area of the business I hadn't thought of in terms of piracy, but it deserves equal ground with the chest pounding and lawsuit wielding recorded music battle for legal downloads and sales. John mentioned a composer he likes named Jason Robert Brown.  I personally had not heard of him, but that rarely means much in the musical world.  After going to Jason's blog, I find a most fascinating account of his back and forth with an infringer!  Imagine that, rather than suing her... he spoke to her... tried to educate her... (some people are beyond education).  This was a really unique approach to dealing with piracy.  tackling it one person at a time.  Imagine if Metallica had called on a few pirates back in 2002... WOW what a news story that would have been...  anyways I digress.  I continued reading the rest of this back and forth and becomes quickly apparent that she might be beyond education... the point though is he reached out to her and a number of other infringers and simply explained that he makes a living off of his music and politely asked them to stop sharing... and many of them did!!!!   Reading his story also led me to his wife's blog.  She is fighting the same fight as a composer and from what I can tell has been a bit more outspoken on the subject.  I think this is GREAT.  More composers need to get involved in "the good fight".  I have said for years but educating the general public is the key to thwarting this habit of stealing our intellectual property.

To do my part, I have done some searching and below is a list of LEGAL / PAID download sites to acquire sheet music.  Do your part.

www.FreehandMusic.com

www.jwpepper.com

www.musicnotes.com

www.load.cd

Taco Taco! Texas Music Educators recap

Ok Folks, I am sorry.

I am the worst Blogger ever!  But in my defense, this has been a busy spring.  My next blog post will illuminate you as to what I have been up to... I originally typed this February 17 and forgot to post it... so here it is!!!

I just returned from the Texas Music Educators Association convention (TMEA)-  or to the uninitiated... the "everybody who matters and has anything of value for the world or music education" convention.

All I can say is WOW!  This was my first TMEA even though I am quite the legacy.  My Grandfather was President of TMEA in the 1950s!

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TMEA is by all accounts much larger than TBA (Texas Bandmasters Association)- or any other conference I attend on Music Education for that matter.  Overall, despite a lousy economy the attendance was really quite good.  Many of my friends from education land were there and the overall picture I got from the state of budgets (at least in TX) was that most were actually doing alright (take a note California).  If Texans know how to do anything- it is play football and field a marching band- both of which they fund mightily.

TMEA was not only a time for me to catch up with my buddies, but also a great time to meet up with old and new clients to discuss current and future projects.  I decided rather than delivering a list of my clients as a recap, I would make a photo montage of them and spent one afternoon taking photos of their booths, products, etc.  These photos are on our Naxos Music Library facebook page here.  Other clients in attendance were Alfred Music Publishing, Hal Leonard, Ivasi, SmartMusic, Professor Carol, and a few I cant seem to remember.

All In All this was a GREAT conference.  The weather did not cooperate as it rained much of the time we were there and it was quite cold, however we made the best of it by imbibing in great Mexican food and our fair share of Margaritas.  Hopefully next year the weather will be better as this is going on my Educational conference list permanently.

Til next time, Over and Out!

Subscribe to this... my personal case study

Well, I know I have been a bad bad boy.  My blogging as of late has been a bit lack luster and non-existant.  If you are still reading.  Thank You. I have been in the process of working on my taxes over the past week or so and I had a bit o an epiphany.  You see, when you are relegated to staying in the States while all of the talking heads of the music industry are in Cannes at Midem, you will find yourself enjoying the time you have by filling it up with things like tallying your own personal music tab from the past year for the purposes of writing some of it off (I am in the MUSIC business after all).

Point being... the buzz this year is all about Subscriptions.  Subscriptions are going to save the music industry.  Well- we knew this-  that is why we created the Naxos Music Library years ago.  Subscriptions are a very important part of our business model.  It is good to hear all of this new buzz-  But with the likes of Bob Lefsetz, Donald Passman, and other touting how this really could be the paradigm shift gives it a whole new value in my mind.  The fact that you cant have a talk about digital music without Spotify coming up tells me that this is a move that is coming sooner than later.

Back to my taxes.  I noticed a really interesting fact as I added up my tally from Amazon, , iTunes,  eMusic, Classics Online, etc.  The really interesting thing is I REALLY did spend more money on subscriptions this year than I did on a la carte purchases.  This is a bit freaky to me as I spend a good deal of dough on music.  But it is true.  eMusic got the lion's share of my money.  This could be attributed to a number of things.  1st of all, I use eMusic as a discovery tool and as a catalog builder.  I would never set out to buy Starship's Greatest Hits, Gogol Bordello, or Boston, but eMusic facilitated this for me.  These are what I consider great catalog fillers.  I may not want to put them in queue on my iPod touch, but some time I may wish to hear them again and therefore I bought them...  Move over to my iTunes and Amazon purchase patterns.  The vast majority of music purchased through these outlets last year were singles.  Radio hits.  One Hit Wonders... whathaveyou.  Call it what you want.. the crazy thing is I spent less on these than I did at eMusic.  This tells me that I am either a) wasting too much money on eMusic.. of b) I would rather keep my monthly tab knowing that I can exhaust it on any mundane old albums my heart desires than go looking for those albums to pay for them in real time.  I wonder if the rest of the music buying public would agree with this...?

I dont know if this proves any of the great music business thinkers' concepts as this still neglects the difference between my eMusic subscription and a Spotify subscription.  But it does make one thing evident.  I WILL spend more money on music by the Album than I will by the single and eMusic's model of giving me an allowance each month will continue to feed my album fetish.  This is mostly a behavioral thing I suspect- but I still find it incredibly interesting.

Ok- thats all for now- I will try to be a better blogger in 2010.. Thanks

Oh.. and Happy 2010.. here's a video to celebrate.

What is Sound Exchange?

Very good question.  Most of us know Sound Exchange is the digital PRO created to deal with royalties generated over the internet and through digital music devices, however it is still quite vague to a vast majority of the musicians and writers what EXACTLY Sound Exchange does. Thanks to Youtube, these questions can now be answered in 2:26 .

Enjoy