Orchestral composition VS Band composition... what's a writer to do?

Ever wonder about how composers feel about band music??  Well, read this from John Mackey: "If you’re a composer who grew up wanting to write orchestra music, and you listened to Barber rather than Grainger, you probably start with the attitude that you should be writing orchestra music, and band somehow isn’t the goal. So, you marry Orchestra. Orchestra is hot. Okay, maybe not hot, but at least she’s the kind of hot that you know you should like. At the very least, she’s very pretty. And she’s really, really smart, and speaks, like, seven languages, and she knew everybody (but she only ever wants to talk about Beethoven). But you quickly realize that Orchestra thinks she’s better than you, and she acts like every minute she spends with you is come kind of charity work. You get her gifts, and shower her with attention, but you soon realize that she doesn’t appreciate you at all, and she’s neglectful, and at worst, abusive.

And then one day, you meet Band at a party.

“What do you do?” she asks. “Um, I’m a composer,” you reply, expecting little reaction, but Band lights up and exclaims, “oh my God, that’s HOT! Do you have any music I can play? The newer, the better! Let me get you a drink!”

Band is loud. She’s not quite as pretty as Orchestra, and she’s a bit, shall we say, bigger-boned, but she has that truly “hot” aspect to her that Orchestra never had. And most importantly, Band loves what you do. Whereas it was like pulling teeth to get Orchestra to look at your new music (and if she looked, she was generally not impressed, often comparing you unfavorably to one of her many ex’s — like Dvorak), Band thinks it’s awesome. Band tells you things like “you’re special and perfect and I’ll appreciate you and your music like Orchestra never has, and never will.”

What is Composer supposed to do?! Did I mention how loud and boisterous Band is? (Let’s say she’s a screamer. Totally your type.) You have a blast when you’re with her, and your friends agree that she’s a lot cooler than Orchestra, and they see how she treats you much, much better. How can Composer not be expected to stray?

Luckily for Composer, he figured this out around the age of 30, and not much, much later. He just feels bad for all of the other Composers who haven’t yet caught on and left their dysfuncional, abusive relationships."

John's great works can be heard on a number of my Naxos Wind Band Classics recordings...  He also has a great blog that you ought to visit...

5700748572129

Remix: the Movie...

Nashville Film Festival brought some very interesting films to the Music City...  Opening night brought about appearances from the likes of William Shatner, Vincent D'On0frio, Sheryl Crow,William Lee Golden from the Oakridge boys, Mayor Karl Dean, and many others.  Although many great films were involved, I must say that one film had a real impact on me.

4-29-2009-10-49-14-pm

RiP: a Remix Manifesto is the story of Girl Talk, Lawrence Lessig and the changing culture of shared music, copyright law, fair use and usage of music that benefits artists...  In short the gray copyright law is taken to task with this great cinematic piece... best of all IT IS AVAILABLE ONLINE FOR FREE VIEWING, REMIXING, ETC!

I urge anyone interested in this subjectmatter to take a look at this film... it is both entertaining and informative... I am so glad it is available for online viewing...

Viva la Girl Talk

The Music Industry's New Digital Problem

I was recently sent this article from Business Week speaking of the growing digital issues facing the Music Industry. Streaming VS Downloads... that is the question...

My take on this is that Streaming Services need to be paying the right's holders whether it be through a pro-rata share of advertising profits, PRO's, or what-have-you. I wonder though... Is it the streaming media's fault for declining sales, or are the declining sales are part of a larger shift in the music purchase paradigm? It would be arguable that terrestrial radio could have ruined record sales in the earlier parts of the 20th century... No-one was complaining then. What is so different about streaming internet radio and other services? I guess that answer will help us get to the bottom of this sinking music industry economy.

Top 10 Ad Songs of the 2008

While Advertising Age just published their list of top Ad songs of 2008, I thought it might be fitting to publish the unofficial Naxos Records top Licensed Classical works for Advertising, Film and TV of 2008. (click the links to see the ads)

So without further adieu,

*  HP Touchsmart  

Four Seasons: Concerto No. 2 in G Minor, RV. 315 "Summer": Presto by Antonio Vivaldi

*  Axe Shower Gel… So Cute   

Sleeping Beauty: Valse by Pyotr Ilyich Tchaikovsky

*  Tropic Thunder
The 4 Seasons: Violin Concerto in F Major, Op. 8, No. 3 RV 269, "La primavera" (Spring) I. Allegro by Antonio Vivaldi

*  Valkryie
Der Ring: Act III: Ride of the Valkyries by Richard Wagner

*  Milk
Tosca: Act III: Presto, su! Mario! Mario! by Giacomo Puccini

*  Hellboy 2: The Golden Army
Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer" by Ludwig Van Beethoven

*  Horton Hears A Who!
Der Ring: Act III: Ride of the Valkyries by Richard Wagner

*  Halloween
English Suite No. 3 in G minor, BWV 808 by J.S. Bach

*  Charlie Wilson's War
Farewell of Slavianka by Vasiliy Agapkin

*  Made of Honor
Lohengrin, Act III: Wedding March (arr. For organ) by Richard Wagner

 

 

Enjoy these and learn more about licensing music from Naxos by clicking the logo below or going to www.NaxosLicensing.com

-Randall